ART OF EUROPE
The art of Europe, or Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile rock and cave painting art and was characteristic of the period between the Paleolithic and the Iron Age.[1]Written histories of European art often begin with the art of the Ancient Middle East and the Ancient Aegean civilizations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Empire, across much of Europe, North Africa and the Middle East.[2]
The art of Europe, or Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile rock and cave painting art and was characteristic of the period between the Paleolithic and the Iron Age.[1]Written histories of European art often begin with the art of the Ancient Middle East and the Ancient Aegean civilizations, dating from the 3rd millennium BC. Parallel with these significant cultures, art of one form or another existed all over Europe, wherever there were people, leaving signs such as carvings, decorated artifacts and huge standing stones. However a consistent pattern of artistic development within Europe becomes clear only with the art of Ancient Greece, adopted and transformed by Rome and carried; with the Empire, across much of Europe, North Africa and the Middle East.[2]
The Last Judgment (Italian: Il Giudizio Universale[1]) is a fresco by the Italian Renaissance painter Michelangelocovering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity. The souls of humans rise and descend to their fates, as judged by Christ who is surrounded by prominent saints. Altogether there are over 300 figures, with nearly all the males and angels originally shown as nudes; many were later partly covered up by painted draperies, of which some remain after recent cleaning and restoration.
The Cave of Altamira (Spanish: Cueva de Altamira; pronounced [ˈku̯e.βa ðe al.ta.ˈmi.ɾa]) located near the historic town Santillana del Mar in Cantabria, Spain, is renowned for its numerous parietal cave paintings featuring charcoal drawings and polychrome paintings of contemporary local fauna and human hands, created during the Upper Paleolithic. The earliest paintings in the cave were executed around 35,500 years ago.[1]
Gates of Paradise, Italian Porta del Paradiso, the pair of gilded bronze doors (1425–52) designed by the sculptor Lorenzo Ghiberti for the north entrance of the Baptistery of San Giovanni in Florence. Upon their completion, they were installed at the east entrance
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